Portal de Molina de Segura
www.portaldemolina.com
The National Congress Old music and recent approaches: History from a gender perspective, promoted by the International University of the Sea (UNIMAR) in collaboration with the Molina Festival of Ancient Music, MOMUA 2019, is held from October 25 to 27, in the Virginia Martínez Fernández Auditorium, in the MUDEM of Molina de Segura.
The general objective of the course is to show a multidisciplinary approach to women in music from Antiquity to the 21st.
The specific objectives are: to offer an overview of women in Antiquity through Ancient Music;
discuss the canon of women in music from antiquity to the 21st century;
study the contribution of women in music education and teaching;
show gender aspects of music theory and history;
ponder the cultural history of music and feminism;
and analyze the composition and feminine musical interpretation.
It will have a duration of 25 hours, and the maximum number of students is 100 (registration period open until October 23), with a public price of 85 euros (UM and UPCT members: 65 euros).
The congress is intended for university students, students of the Superior Conservatory, professionals linked to these groups, and general public interested in this subject.
The Congress Program is as follows:
Friday 25:
09.00 h .: reception and delivery of documentation.
09:30 h .: inauguration and presentation of the course.
Esther Clavero Mira, Mayor of Molina de Segura.
Juan Jesús Yelo Cano, Secondary School Music Teacher (IES Floridablanca, Murcia).
Department of Plastic, Musical and Dynamic Expression.
University of Murcia.
Mª Ángeles Zapata Castillo, Doctor of Musicology.
Artistic director of MOMUA (Festival Molina Música Antigua) and FEMAL (Festival Música Antigua de Lorquí).
10.00 h .: inaugural lecture The (im) expendable body: musicology, feminism and the Middle Ages, by José Miguel Lorenzo Arribas, Doctor of Medieval History.
Independient investigator.
Madrid.
11.00: break.
11.30 h .: Communications.
Thematic axis: Women in music theory / methodology and historiography.
The composer Carmen Ibáñez Ibáñez (1895-1962).
Life, pedagogy and musical work.
Jesús López Espín.
Where are the theorists?
A brief tour of the history of music theory created by women.
Laura Rendón García.
Presence of women in the history of Valencian music.
Luisa Tolosa Robledo.
Moderator: José Miguel Lorenzo Arribas.
12.30 h .: Communications.
Thematic axis: Case studies.
Women in music, from Antiquity to the 21st century.
Juana I de Castilla: education and music in the court of the Catholic Monarchs Miguel Angel García Alfonso.
Musical courtesans in the golden age of Imperial China.
Rubén García Benito and Abigail Carmen Horro Rodríguez.
About two women musicians in an excerpt from Nisaba 11 33 [BM 104768] (ulgi 36-11-00).
Daniel Sánchez Muñoz.
Maddalena Casulana and Isabella de Medici.
Consuelo Prats Redondo.
Marriage as an element of inhibition in the compositional profession of women in ancient music.
Sabrina Martín Guinaldo.
13.30 h .: debate.
The composer Carmen Ibáñez (1895-1962).
Life, pedagogy and musical work
16.00 h .: Communications.
Thematic Axis: Case studies.
Women in music, from Antiquity to the 21st century.
Evolution of the technique for keyboard in art through the female figure Laura Mondéjar Muñoz.
The Mozart-Da Ponte paradigm: The importance of female characters in defining the dramatic foundations of Le nozze di Figaro, Don Giovanni and Così fan tutte.
David Monrabal García.
The "female factor" in the field work of Alan Lomax: Jeanette Bell and the Spanish informants (1952-53).
Ascension Mazuela.
Flamenco and women.
A particular feminist challenge to patriarchy throughout its history.
María Jesús Castro Martín.
Moderator: Mª Ángeles Zapata Castillo.
17.00 h .: Gender and Art conference.
Museums-heritage spaces.
Revisioning and rereading the importance of women, by Juan García Sandoval, Artistic Director of the Regional Museum of Modern Art, Cartagena.
General Directorate of Cultural Property of the Ministry of Tourism and Culture of the CARM.
6 pm: break.
18`.30: Round table Conversations about the relationship of art, music and genre.
Moderator: Juan García Sandoval.
José Miguel Lorenzo Arribas.
Juan Antonio Nicolás Martínez, of Cepaim Foundation.
Olga Rodríguez Pomares, Doctor of Fine Arts.
Associate Professor of the Faculty of Fine Arts.
University of Murcia.
Eva Mesas Escobar, Bachelor of Fine Arts.
Associate Professor of the Faculty of Education.
University of Murcia.
20.00 h .: Debate.
Conclusions of the day.
20.30 h .: KOMOREBI project presentation (Murcia).
Sofía Ortigosa Gómez, Murcia.
Julia Torres del Río Murcia.
Saturday 26:
09.00 h .: Communications.
Thematic axis: Women, teaching and education.
Civilized customs as a key to educational development: women in the National Conservatory of Music and Declaration of Quito (1870-1911) .Rossi Godoy Estevez.
Reflections on the study of women's musical education: the Conservatory of Madrid in the 19th century.
Nieves Hernández Romero.
Professionalization vs.
Ornament ?: Female musical teaching models and their imprint on composition.
Andrea García Alcantarilla.
Composition, Interpretation, Musical Education and Gender.
The feminine composition in Nariño.
José Menandro Bastidas Spain and Lyda Tobo Mendivelso.
Women: education and didactics.
Eva Heredia Serra.
10.15 h .: Music, teaching and cultural transmission conference.
The figure of Isabel de Villena as an innovative woman, by Ana Botella Nicolás, Vice Dean of the Faculty of Magisteri, University of Valencia.
11.15 h .: pause.
11.45: Round table Conversations around women and music in educational curricula.
Moderator: Juan Jesús Yelo Cano.
Ana López Navajas, Researcher linked to the University of Valencia and adviser on Coeducation and Equality in Teacher Training.
Department of Education, Research, Culture and Sports of the Generalitat Valenciana.
Mireya Royo Conesa, Head of the Education Service of the Valencia City Council.
Cristina Aguilera Gómez, Professor of Chamber Music of the Superior Conservatory of Music.
Valencia.
Rosa Isusi Fagoaga, Professor of Music Teaching (Facultat de Magisteri of the University of Valencia).
Director of the CEIR magazine of the University Institute of Creativity and Educational Innovations of the University of Valencia.
1:00 p.m.
Communications
Thematic axis: Women, teaching and education.
Music, Culture and Women's Education in the institutes.
Madrid of the end of the s.
XIX: approx.
to the cases of the Artistic and Literary Athenaeum of Ladies (1869), the School of Second Teaching (1894) and the Association for the Teaching of Women (1870-1900).
Consuelo Pérez Colodrero and Desirée García Gil.
The Secondary and Baccalaureate Music classroom as a space for awareness and work in the gender perspective. Cecilia Piñero Gil.
Fet per dones: innovative and inclusive project of the Conservatori Professional de Música de València.
Immaculate Sanchis Devís.
Composers in ESO textbooks: absences and educational challenges.
Manuel Sancho García.
16.00 h .: Pauline Oliveros conference: deep listening and the importance of listening, by Juan Jesús Yelo Cano.
5.00 pm: round table Conversations about composers' repertoires at concerts.
Moderator: Mª Ángeles Zapata Castillo.
Margarita Borja, Vice President of Classics and Modern and coordinator of the Equality Seasons project.
Alicante
Mª Luz González Peña, Director of the CEDOA (Documentation and Archive Center of the SGAE).
Madrid.
Pilar Parreño Villalba, Vice President of the Women in Music Association.
Violinist of the Orchestra of Valencia and the Casulana Quintet.
Valencia.
Patricia Kleinman, Composer Project Director.
Madrid.
18.30 h .: break.
19.00 h .: Presentation.
Recording women I.
Sarah Rasines, sound and visual artist and cultural manager at the Junta de Castilla y León.
Burgos.
19.30 h .: Presentation.
Recording women II.
Tomás García Martínez, Documentalist and ethnographer.
Group member
Murcia.
20.00 h .: Communications.
Main theme.
Study of cases.
Women in music, from Antiquity to the 21st century.
The debut of the soprano Avelina Carrera and the contralto Dolores Mata at the Teatro del Príncipe Alfonso in Madrid.
Rebeca González Barriuso.
From the private sphere to the public space.
Music and silences of Soledad de Bengoechea.
Patricia Kleinman, José Luis Palazón Martínez and Isabel Paulo Selvi.
María Teresa Oller: a story in popular style: José Miguel Sanz Garcia, José Miguel Sanz García, Cristina Aguilera Gómez, Professor of Chamber Music of the Superior Conservatory of Music of Valencia, Paula Tamarit Fernández and Daniel Labrada Pérez.
8:45 p.m. Debate
Conclusions of the day.
Sunday 27:
09.15 h .: Communications.
Thematic axis: Case studies.
Women in music, from Antiquity to the 21st century.
The national questionnaires of 1953: the music program of girls' schools during the Franco dictatorship.
Alba María López Melgarejo.
Norberto López Núñez.
Composers in the programming of concerts of the Juan March Foundation (1979-2019).
Analysis and challenges.
Patricia García Sánchez.
The performers in Spanish professional music bands: from invisibility to professionalism.
Aida Lozano Beceiro.
International current music awards: the female figure as an element of primacy and outstanding artistic value.
María Isabel Cabrera Saúco, Professor of Music History at the Professional Conservatory of Music of Jaén.
Experimental woman and music in Spain in recent years.
Sarah Rasines, sound and visual artist and cultural manager at the Junta de Castilla y León.
Burgos.
10.30 h .: Flour, tambourines and goddesses: musical iconography and fertility rites in the ancient Mediterranean, by Mauricio Molina, Director of Early Music Besalú.
Professor of the International Center of Musiques Médiévales.
Paul Valéry de Montpellier University.
11.00: break.
11.30 h .: Communications.
Main theme.
Study of cases.
Women in music, from Antiquity to the 21st century.
Undoing sexist topics and prejudices about Germaine Tailleferre's music: around his Pastorale in La B flat.
Sergio Moreno Barranco.
Genoveva Gálvez and the renaissance of the key in Spain.
Magdalena Lorenzo Monerri.
Francisco Jorge Rodríguez.
Paulina Cabrero or the importance of women in nineteenth-century Spanish music.
José Antonio Lacárcel.
The woman in the bells of Auroros of the Region of Murcia.
Norberto López Núñez and Alba María López Melgarejo.
Moderator: Mauricio Molina, Director of Early Music Besalú.
Professor of the International Center of Musiques Médiévales.
Paul Valéry de Montpellier University.
12.30 pm: closing conference Creative women in the Middle Ages.
Beguines, nuns and trobairitz;
the polite mysticism, in charge of Mª Ángeles Zapata Castillo.
13.30 h .: Debate.
Conclusions of the day.
1:45 p.m.: closing and delivery of diplomas.
Saturday 26:
22.30 h .: WOMEN AT PLAY concert.
Music for the 21st century, in Centro Párraga (Murcia), with the participation of: Susana López aka Susan Drone, Sarah Rasines and Javier Jiménez and Pia Achternkamp.
Complementary activity to the congress, in collaboration with the Music Classroom of the University of Murcia, the Párraga Center and the Intonarumori Association (Murcian Association of Sound Art and Experimental Music).
Source: Ayuntamiento de Molina de Segura
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